Skip to content
Zintegra

Zintegra

Technology, systems, analytics, training

Tag: dictionary

Posted on 10-14-201612-10-2018

Reference

http://www.merriam-webster.com/

http://www.thesaurus.com/

http://www.apstylebook.com/

http://labarker.com/sitemap.html#writing
http://www.writersmarket.com/

Share this:

  • Print (Opens in new window) Print
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook

Like this:

Like Loading…
  • Español
  • English
  • Français

Random Quote

Ehrfurcht vor dem Leben

— Albert Schweitzer

Top Posts & Pages

  • Pseudonyms
  • Copyright
  • kill fees
  • Pilot parallel
  • Copperplate Calligraphy Alphabet
  • Letter writing in Madarasz Script
  • Hamid Reza Ebrahimi
  • How to learn Calligraphic
  • Calligraphy Tools
  • How To Use Pictorial Art With Calligraphy

Tags

  • brush pen
  • Caligraphy
  • Calligraphic
  • Calligraphy
  • Chloë Sevigny
  • Connie Willis
  • Copperplate
  • Copyright
  • Dogville
  • Eisegesis
  • English
  • Exegesis
  • film
  • Fountain Pen
  • Gothic Style
  • gun
  • Hamid Reza Ebrahimi
  • Hermeneutics
  • history
  • IAMPETH
  • internet
  • James Caan
  • journalism
  • Lauren Bacall
  • lingua
  • literatura
  • Nicole Kidman
  • novel
  • Paul Bettany
  • pencil
  • Pictorial Art
  • Pilot
  • Reference
  • Robert Devereux
  • science
  • science fiction
  • Scribble
  • Script
  • stand your ground
  • Stellan Skarsgård
  • Stephen King
  • Texas
  • thesaurus
  • Tools
  • Udo Kier

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

Top Posts & Pages

  • Pseudonyms
  • Copyright
  • kill fees
  • Pilot parallel
  • Copperplate Calligraphy Alphabet
  • Letter writing in Madarasz Script
  • Hamid Reza Ebrahimi
  • How to learn Calligraphic
  • Calligraphy Tools
  • How To Use Pictorial Art With Calligraphy

Tags

  • brush pen
  • Caligraphy
  • Calligraphic
  • Calligraphy
  • Chloë Sevigny
  • Connie Willis
  • Copperplate
  • Copyright
  • Dogville
  • Eisegesis
  • English
  • Exegesis
  • film
  • Fountain Pen
  • Gothic Style
  • gun
  • Hamid Reza Ebrahimi
  • Hermeneutics
  • history
  • IAMPETH
  • internet
  • James Caan
  • journalism
  • Lauren Bacall
  • lingua
  • literatura
  • Nicole Kidman
  • novel
  • Paul Bettany
  • pencil
  • Pictorial Art
  • Pilot
  • Reference
  • Robert Devereux
  • science
  • science fiction
  • Scribble
  • Script
  • stand your ground
  • Stellan Skarsgård
  • Stephen King
  • Texas
  • thesaurus
  • Tools
  • Udo Kier

Recent Posts

  • Pseudonyms
  • Copyright
  • kill fees
  • Pilot parallel
  • Copperplate Calligraphy Alphabet

Recent Comments

  • Texas police excessive force against teenagers | The grokking eagle on Texa’s police
  • Lucía on Dogville Lars Von Trier
  • Rosa on Dogville Lars Von Trier
  • Mariquilla on Texa’s police
  • Mariquilla on Dogville Lars Von Trier

Archives

  • October 2016
  • September 2016
  • July 2016
  • September 2015
  • March 2015

Categories

  • drawing
  • Musica
  • redacción
  • religión
  • United States
  • wikipedia
  • writing

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

Random Quote

Ehrfurcht vor dem Leben

— Albert Schweitzer

Goodreads

RSS omnibus

  • Don Camillo
  • Les Bienveillantes
  • runes
  • ñ
  • scriptum
  • Jacques Brel - "Le Moribond"
  • roots of English
  • The Korean alphabet
  • IPA
  • Vedas

RSS The stone labyrinth

RSS Writing Academy

  • The Comma Splice Is a Promise Your Sentence Can’t Keep 08-24-2026
    Two complete sentences sharing a bare comma read as breathlessness: a run-on with better posture. The fix isn't just grammar; each join says something different, and the semicolon says it best. The post The Comma Splice Is a Promise Your Sentence Can’t Keep appeared first on Writing Academy Blog.
    steve
  • Your Biggest Scene Needs One Frozen Image 08-23-2026
    Your biggest scene is probably your fastest one. Not on purpose. Big emotion is uncomfortable to sit in, so we sprint through it, and speed feels like intensity. It isn’t. Speed at the pivot reads as panic. When your story reaches the moment everything has been building toward, halt time. Not with description. With one... […]
    steve
  • Write the Night, Not the Decade 08-22-2026
    Mary Karr doesn’t open The Liars’ Club with her mother’s diagnosis. She opens on a night in 1961: a Gulf Coast refinery town, six-year-old Mary and her big sister Lecia on the porch steps, waiting while their mother is walked out to the car in the yard and taken away. That scene is the memoir... […]
    steve
  • Your Unreliable Narrator Is Lying Too Much 08-21-2026
    A narrator who lies badly is a magic trick with the wire showing. The reader spots the cheat by chapter three and spends the rest of the book ahead of you. The mistake is overplaying the hand. Contradictions on page 4, hedges that flag themselves, memories narrated a little too neatly. The unreliable narrators who... […]
    steve
  • Dress Your Characters to Reveal Their Secrets 08-20-2026
    Most writers dress their characters like they’re flipping through a department store catalog. Jeans and a t-shirt, or maybe a dark suit. It’s a missed opportunity. What a character wears shouldn’t just keep them warm; it should reveal their class, their anxieties, or their lies. Think of Jonathan Kellerman’s Alex Delaware novels. Kellerman is a... […]
    steve
  • The Gun on the Wall Doesn’t Have to Be a Gun 08-19-2026
    Chekhov said if you hang a gun on the wall in chapter one, it had better fire by chapter three. Fair enough. But most novels don’t run on guns. They run on smaller things: a borrowed sweater, a chipped mug, a voicemail nobody deleted. The principle still applies. If an object matters in your ending,... […]
    steve
  • Your Scenes Start Thirty Seconds Too Early 08-18-2026
    Most scenes start thirty seconds too early. The phone rings. Your character answers. Hello? Hi, it’s me. How are you? Fine, you? The reader is already skimming. All of that is staging. Greetings, arrivals, weather, who’s sitting where. It’s you clearing your throat on the page before you say the thing you actually sat down... […]
    steve
  • If Your Scene Feels Flat, Count the Words in Your Sentences 08-17-2026
    Monotone prose comes from sentences that are all the same length. Every one of them can be clean, correct, even pretty. Line them up at fourteen words each, or four words each, and the page hums at a single frequency. Readers experience that hum as boredom, and they blame the story. Rhythm is invisible when... […]
    steve
  • Why Your Reader Keeps Swapping Your Characters’ Names 08-16-2026
    Marcia and Maggie. Brynn and Lynn. Every novel has a pair of names the reader keeps swapping, and the writer never notices, because from inside the story each one feels distinct. A name does three jobs at once. It pins an era (Gertrude, Madison and Ainsley were born in different decades). It hints at class... […]
    steve
  • What Expires If Your Scene Doesn’t Happen Today? 08-15-2026
    Writers love to delay. Not on purpose. We delay by giving our characters things to do. The scene seems fine on the page. The phone rings, a visitor arrives, everyone’s busy. But nothing pushes toward a decision. These characters could have the same conversation tomorrow. Or next week. Here’s the tell. If the events of... […]
    steve

References

http://www.merriam-webster.com/ http://www.thesaurus.com/ http://www.apstylebook.com/ Guide to Grammar and Style http://labarker.com/sitemap.html#writing http://www.writersmarket.com/ scribendi ASJA Celtx
Proudly powered by WordPress
%d