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Posted on 10-24-201612-10-2018

Pseudonyms

Pseudonyms: 10 Questions to Ask Before Choosing a Pen Name
by Adrienne DeWolfe

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Posted on 10-24-201612-10-2018

Copyright

Copyright Information for Writers

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Posted on 10-24-201612-10-2018

kill fees

How kill fees ruin writers, hurt magazines and destroy journalism

  • 03. Feb. 2015

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Posted on 10-21-201612-10-2018

Pilot parallel

Posted on 10-21-201612-10-2018

Copperplate Calligraphy Alphabet


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Posted on 10-21-201612-10-2018

Letter writing in Madarasz Script

Posted on 10-21-201612-10-2018

Hamid Reza Ebrahimi


Calligraphy Clip in Gothic Style

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Posted on 10-21-201612-10-2018

How to learn Calligraphic

Posted on 10-21-201612-10-2018

Calligraphy Tools


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Posted on 10-21-201612-10-2018

How To Use Pictorial Art With Calligraphy

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  • Put In the Ferns, Leave Out the War 11-13-2026
    The Sun Also Rises turned one hundred this fall, and first-time readers still file the same complaint: nothing happens. People eat and drink and fish and watch bulls, and wound each other in conversation. A reader on Reddit called the book a boring travel vlog. He meant it as an insult. It is the cleanest... […]
    steve
  • Backstory Reads Best Out Loud 11-12-2026
    Every manuscript has a stretch where the story stops for a history lesson. Who married whom, who left when, delivered like a museum placard. The reader skims; the skimming is the tell. Narration dumps backstory. Dialogue delivers it. Readers never skim speech; the most readable vehicle for the past is a conversation where the listener... […]
    steve
  • Give the Blow Room to Land 11-11-2026
    Every manuscript has a version of the disaster scene: the thing the whole book has been aiming at finally happens, and the prose treats it like a dentist appointment. Plot done, page flat. The plot decides that something terrible happens. The page decides how much it weighs. Three choices set the tonnage. Name the loss... […]
    steve
  • Stop Cataloging the Room 11-10-2026
    First drafts describe rooms the way real-estate listings do: granite counters, hardwood floors, updated bath. Accurate, complete, and dead on the page. Description isn’t inventory. The reader doesn’t need the room; they need the one detail that makes the room mean something. Chekhov put it best: “Don’t tell me the moon is shining; show me... […]
    steve
  • Three Ways to Print a Thought 11-09-2026
    Most manuscripts put their characters’ thoughts in quotation marks, right next to the dialogue. So the reader keeps two lists: what was said out loud, what wasn’t. The scene becomes a radio play, and half the cast is broadcasting. A thought isn’t speech. Nobody in the room hears it but the reader. You have three... […]
    steve
  • The Camera Gets One Chair 11-08-2026
    Close third person makes a promise: everything in this scene passes through one character’s perception. What she notices, what she fears, what she gets wrong. Head-hopping breaks the promise mid-paragraph. Three sentences into Alice watching Mark cross the room, the narration adds: “Mark wondered why she’d invited him.” Now the camera sits in two heads.... […]
    steve
  • The Comma Splice You Can Keep 11-07-2026
    Somewhere in school a red pen taught you that two complete sentences can’t share a comma. The crime has a name: the comma splice. Grammar checkers underline it on sight, and most of the time they’re right. Then you meet the first sentence of A Tale of Two Cities. “It was the best of times,... […]
    steve
  • Your Red Herring Should Solve the Case 11-06-2026
    Every amateur red herring is the same cheat: a suspicious thing planted for no reason except to waste the reader’s suspicion. The threatening letter nobody wrote. The shadowy stranger who never matters. When the reveal comes, the thing pays back nothing, and fair-play readers feel it — the author raised a question and answered it... […]
    steve
  • Backstory Is Whatever Still Presses on the Present 11-05-2026
    Backstory isn't your character's history. It's whatever piece of the past is still applying pressure on the present. The post Backstory Is Whatever Still Presses on the Present appeared first on Writing Academy Blog.
    steve
  • The Plateau Isn’t Your Scenes. It’s Your Stakes. 11-04-2026
    Act Two goes quiet without going still. Chapters keep happening: a discovery here, a confrontation there. Nothing on the page is idle. But somewhere past the midpoint, a reader sets the book on the nightstand and doesn’t pick it up again. The plateau isn’t a scene problem. It’s a stakes problem. Stakes are what the... […]
    steve

References

http://www.merriam-webster.com/ http://www.thesaurus.com/ http://www.apstylebook.com/ Guide to Grammar and Style http://labarker.com/sitemap.html#writing http://www.writersmarket.com/ scribendi ASJA Celtx
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